1/7/2023 0 Comments Ok computer radiohead artwork![]() ![]() Radiohead are masters of subtlety: Colin Greenwood interrupting the acoustic lull of “Exit Music (For a Film) ” with that fuzz-bass rapture Thom Yorke contrasting the musically divine with the lyrically deadpan-airbags, “ yuppies networking ,” infrastructural language like “ Decaffeinate, unleaded / Keep all surfaces clean ,” all of it daring society to question its complacent structure. Further, they set the example for every great band’s responsibility to give us their OK Computer -to radically challenge their own standards with each passing album, to always reject the status quo, and convert the fears and pressures of the music industry into even more fuel for transcendence.īut transcendence and self-reinvention doesn’t have to be the fifty-thousand-didgeridoos cliché of the pretentious rock star boring fans with cultural pastiche. These B-sides, in contrast to the final version of OK Computer, help us realize that what many talented musicians call an opus, Radiohead call a bonus reel. If instead of “Paranoid Android” and “No Surprises,” we just had “Melatonin” or “How I Made My Millions.” If the catharsis of “ Karma Police ” was never felt. Imagine if twenty years ago, Radiohead pulled a Green Album or a First Impressions of Earth, a dialed-in third attempt at last year’s model. Perhaps the clearest way to understand the importance of a classic work is to simply imagine if it never was.
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